‎SATURNO by Rauw Alejandro on Apple Music

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    “It’s fun to provide quite a lot of options and various kinds of music to the people,” Rauw Alejandro tells Apple Music concerning the purposeful creative process behind his latest album, SATURNO. “I at all times wish to be innovating in my music and my art.” Progression and a diversity of styles have been integral to the Puerto Rican singer’s ascent to stardom, starting along with his arrival during Latin trap’s R&B wave and continuing through enormous pop moments like “Todo De Ti” and “Baila Conmigo” with Selena Gomez.

    Like so many artists before him, Alejandro grew up listening to his parents’ music collection. His impressionable youth just so happened to occur amid reggaetón’s emergence within the ’90s. “I used to be listening to freestyles due to my dad,” he recalls of those early life. “It wasn’t even called reggaetón; it was called ‘underground.’” As he forged his own path within the now more mature genre, rising through the ranks to develop into one in all its biggest performers, his love for the sounds that preceded him remained. And while out dazzling live audiences on his extensive VICE VERSA world tour, further inspiration struck that led to the decidedly upbeat and immersive SATURNO. “I used to be considering more about, performing-wise, what my show is missing. For next tour, I would like more energy.”

    Nostalgic and even melancholic inclinations drive this counterintuitively forward-thinking effort, one occasionally interrupted by world-building segues and skits. Though his R&B beginnings manifest on occasion, as on tracks like “LEJOS DEL CIELO” and “QUÉ RICO CH**GAMOS,” the ambitious SATURNO more often looks further back to yield retro refurbishments just like the dancehall throwback “RON COLA” and the nu-electro jam “CAZADORES” featuring his influential predecessor Arcángel. His selections speak to his intentions of integrating past and present, reviving a Playero mixtape gem by Maicol & Manuel for “DE CAROLINA” and reinventing a reggaetón staple in “PUNTO 40” with Baby Rasta himself. “I’ve at all times paid tribute to the OGs, for the reason that starting of my profession,” Alejandro says. “Now that reggaetón is world wide, I even have this responsibility to point out people what are the roots and who’re the true ones.” Read more about a few of his favorite SATURNO songs below.

    “SATURNO”
    “My motivation was the tour, so that you already know what song goes to begin the tour. As soon as you hear that intro, something’s coming. So, all the things is ready for the show, and I put it in an album. I like to recommend people listening to it so as. It is sensible so as, with all of the transitions and the way I construct it up. The primary track is insane. It’s simply to be in your automobile at nighttime and just go and begin the journey.”

    “PUNTO 40” (feat. Baby Rasta)
    “It was going to be a single just by myself. I took the sample, and I created the beat from scratch. Then I used to be hearing the beat going, and I used to be like, ‘It doesn’t make sense if Baby Rasta will not be here. I would like him with me here. He needs to provide the approval to make it more special.’ I created an area for him on the track, and he killed it. When he went into the studio, I remember he was really, really impressed. It’s a classic song, so there’s so many artists that attempted to do a remake or a latest song inspired about that.”

    “QUÉ RICO CH**GAMOS”
    “At the identical time that I’m trying latest stuff, I also maintain the essence of Rauw, the R&B, those ‘2/Catorce’ vibes, the sexy songs that individuals like about me. ‘QUÉ RICO CH**GAMOS’ is a blissful medium of SATURNO sounds and what individuals are used to listening about Rauw. This song is for my fans—more for my fans than for me. Nevertheless it’s one in all my favorite ones. I do know individuals are going to like it.”

    “VERDE MENTA”
    “It’s all the things connected from that era—late ’90s, the start of the 2000s. I used to be strictly using sounds just in that era. That’s why I used the sample of Ivy Queen in that song. And it’s funny because the identical time the underground it was coming up, the mainstream was freestyling. Freestyle within the ’90s was the mainstream songs within the radio. So, on this album, I got each sounds together. I did possibly 30 versions. Once I try something latest, I study quite a lot of the melodies of that sound, giving my touch of urban and more explicit lyrics, just attempting to create that blend. And I wasn’t feeling it. It was a process, but I feel we did it.”

    “DE CAROLINA”
    “It’s going to be a nostalgic and melancholic album. Even the image that I even have at once is that this young Rauw. I realize it’s going to attach with the older generation and with a latest one. With Maicol & Manuel, ‘La Gente Sabe’ is an iconic song. There’s so many folks that don’t find out about them. And I used to be like, ‘Yo, people have to hear this again, but I’m going to do it in my very own way and create my very own sound.’ I sit down with Playero in that song. It’s a banger.”

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